Interesting to see how TheOne’s approval rating has fallen in the last 2 weeks – since his Fox boycott began. It has nearly doubled since Anita Dunn fired her first slavo.
Daily Archives: October 22, 2009
The Republicans in office still aren’t getting it. They seem to be worried that Limbaugh and Beck will “box them in” and cause them problems with the independent voter. They think that the extremism and loud right pundits will alienate middle voters. These guys are worried that they will be labeled the party of the “angry white man.”
Congressional leaders talk in private of being boxed in by commentators such as Glenn Beck and Rush Limbaugh — figures who are wildly popular with the conservative base but wildly controversial among other parts of the electorate, and who have proven records of making life miserable for senators and House members critical of their views or influence.
Republicans and independents (by a large margain) are wanting leaders who are first and foremost CONSTITUTIONALISTS. We’re begging for that kind of leadership out of Washington. It’s not about Rush or Glenn – who’s been more than clear that he is NOT a Republican – who both appear, a lot of the time to a lot of people, as angry white men (as much as I like them both.) It’s not about them or other talk radio commentators, it’s about common sense and honoring their Constitutional oath.
“We need more voices,” said House Minority Whip Eric Cantor of Virginia, one of the party’s up-and-coming leaders. “Our party’s challenge has been that we need to be more inclusive — we need to attract the middle again. … When one party controls all the levers of power in Washington, they’re going to try and villainize whoever they can on our side. It gives us an opportunity now to try and harness the energy and point it in a positive direction, so that we can attract the middle of the country to the common-sense conservative views that we have been about as a party.”
Again, Mr. Cantor, if you want to attract the middle, FOLLOW THE CONSTITUTION, PLEDGE TO DO SO, HONOR YOUR OATH OF OFFICE.
If you do those things and stop worrying about pitching the big tent while at the same time worry about being boxed in, you will attract the voters.
People are scared. We are scared of communism and we are afraid of losing our country. The only way we can rescue it is by returning to the exceptionalism that made our country great and will do so again. We are not going to vote based on what Rush or Glenn tell us. We’re smarter than that. We know what we want and what this country needs. We want leaders who are not giving lip service to get votes but who are ready to return to the Founding and the Constitution.
Now, stop the handwringing and start listening and paying attention to what we have been telling you for the last 7 months.
Trust the voters and be true to your oath, that’s all we want.
As Michelle Malkin said this morning on Fox, TheOne has 2 hours to spend with “journalists”- if you include Keith Olberman and Rachel Maddow in that club and they were included in his meeting with reporters – but he can only spare 25 minutes with General McChrystal, in the last how many months?
In the video clip below, he tells the NBC “journalist” that the American people are more interested in the economy and the war in Afghanistan rather than answer her question about his Fox news feud. But what he’s failing to own up to is his attempt to distract the American people, by promoting his Fox offensive, from those very things.
Fox should announce one day a week how well their ratings are doing since TheOne started his boycott and then say nothing else about it. Indifference is a killer and Fox should regard this whole silly thing as nothing. Let the LameStreamMedia report on it all they want but Fox should continue to report the news that Obama is trying to distract the country from knowing about and ignore the boycott. It’s obviously not hurting them at all.Vodpod videos no longer available.
Exactly as I’ve thought all along. Fairey stole an image and PHOTOSHOPPED it. I have seen this same allegation in 3 articles regarding his “HOPE” poster and anyone who’s used Photoshop to tweek a photo, knows how easy this is to do and also knows what they are seeing when they see it.
Remember, this is about TECHNIQUE, not TALENT.
Almost like Warhol, Fairey arrived on a scene at the right time, ingratiated himself with the right people and made a name for himself – ALMOST. Now he’s famous as a no talent, common thief with a poster hanging in the National Gallery.
Those actors on stage during act one who see a red light in the house indicating a video camera is on them…. They will go right off stage and demand that the stage manager do something. The stage manager then tells the house manager, the house manager tells the usher, and THAT’s why you are being distracted by a seventy-year-old woman climbing over three rows of seats trying to wrestle a camcorder from an unsuspecting patron during “Phantom of the Opera.” It’s not because the red light is distracting them… it’s because they are protecting their performance and their image from being duplicated and distributed without their permission. It is their right. Just as it is the right of a professional photographer to protect their product from being copied, slightly altered and re-distributed without THEIR permission.
So imagine my surprise when I didn’t see one person from the Writers’ Guild or from SAG cheering on the AP. How could they not? The writer’s just endured an industry-crippling strike and the major issue was residual payments for use of their product on the Internet. Though Internet re-plays of “30 Rock” is not exactly the same as barely photo-shopping a photo and distributing it as art, but the core principal is the same: A work of art or entertainment must be protected from duplication or re-distribution or the entire copyright edifice will begin to crumble. Michael Moore was so thrilled with the WGA in their unwavering position on the webcasts, that he gushed to the LA Times:
“This is an historic moment for labor in this country, …To have the writers union stand up like we did, not give back a single thing and make them give — it was a really great moment to sit in there and listen to everything.”
So why are Moore and other left-leaning artists, writers and directors relatively silent on the Fairey issue? You would think that the protection of intellectual property is something they would champion.
The question answers itself. Fairey is an artist who uses his art for the right reasons. He helped get Obama elected. He made a great poster in support of same-sex marriage. He gave President Bush fangs and a trickle of blood down his chin in another poster. “So what if he broke copyright laws… his art is effective, he’s cool, and he thinks like us, we will look away.” I love the smell of cognitive dissonance in the morning.
Before you lefties start flaming the comments with claims that Fairey made no money off of the poster so there is no infringement… understand one thing: Whether Fairey made money or not, it doesn’t matter with regard to copyright laws. I can’t put on a production of “Wicked” at the local high school gym as long as I don’t charge any money for tickets. I can’t make copies of the DVD of “Titanic” and start handing them out for free on the street. You MUST know that, right?
And by the way, to suggest that Mr. Fairey has not benefitted from his association with the “Hope” poster is disingenuous at best. Mr. Fairey is currently enjoying the honor of having a special exhibition of his work at the Warhol Museum in Pittsburgh. A hand-crafted collage version of the “Hope” poster is now in the Smithsonian. If you think that the sale of future Fairey works will not be influenced by this, you don’t understand market economics. Also, just because Fairey might not have made any direct income from the poster, does not mean that someone didn’t make any, most notably, the Obama campaign and transition teams.
In all of my searching for some sort of outcry over Fairey’s use of protected work for his poster, I did find an interesting trend. It seems that in the past, one of the champions of copyright protection with regard to these types of images and artwork has been none other than Shepard Fairey. You see, before “Hope” there was “Obey,” Fairey’s breakout poster in which he used a photo of wrestler Andre the Giant, modified the image, and affixed the word “Obey.” The iconic image was adapted recently by artist Baxter Orr. Orr gave Andre a SARS surgical mask and gave it the caption, “Protect Yourself.” What did “Fair-use Fairey” do? He sued Baxter Orr. Orr cries hypocrisy: “”It’s ridiculous for someone who built their empire on appropriating other people’s images,” he said. “Obey Giant has become like Tide and Coca-Cola.” Fairey’s gentlemanly response? He called Orr a “parasite.”
But this is only Fairey’s protection of his famous “Obey” icon, right? He doesn’t care what people do with his “Hope” poster… that was all done for free and to benefit the Obama campaign, right? Well…. It seems that many of the posters that got distributed to Obama supporters at events were found on eBay auctions (those damn capitalists) and Mr. Fairey was not amused. He demanded that eBay take down the auctions, his website called the people engaged in the sale as “greedy” and he subsequently opened up a page for the exclusive sale of signed “Hope” posters.
Any director, writer or actor interested in making long-term money in the entertainment industry should be calling Fairey what he is: A plagiarist. But they won’t. And they won’t protest for an end to the Afghan war even though casualties are mounting under President Obama’s watch. And they won’t claim President Obama is taking away their freedoms even though he extended President Bush’s declaration of national emergency this past September 10th (something the left continually criticized President Bush for).
One wonders what fault, if any, the left will find in this President or his loyal supporters like Fairey.